Temple ov Ahriman - Heretics of Consensual Reality

Temple ov Ahriman is a one-man black metal band from Austin, Texas.  Musician Thornicator (Triacanthos, ex-Brüka, ex-Vesperian Sorrow) formed the band in 2021.  After a split release in 2022, the project is now ready to unveil its full-length debut album, “Heretics of Consensual Reality,” with the help of session drummer Servitor.

Heretics of Consensual Reality,” may have its basis in the second wave of black metal but the album has a sound all its own.  Crust/d-beat and Finnish influences mix seamlessly with the project’s brand of black metal for an album that has a fresh, exciting sound and is a lot more dynamic than I thought it would be.


The atmosphere is cold and ancient, like black metal should be, but the production has a surprisingly warm sound.  I think it works pretty well as it allows the band to show all its various moods and variety.  The album has a ton of groove and a punk rock swagger but also a vicious sense of what the essence of black metal is.  Throw in subtle use of melody, and what we have here is a black metal album that steps outside the box just enough to proclaim an identity but not so much that is weird and annoying.


The crust riffs and blackened drums combine right off the bat with the burner of an opener, “War in Heaven.”  I love the keys and melodic bass, which are in the mix well enough to hear but neither try to overtake the other instruments—very balanced production/mix on the song (and album itself) which works well for the project’s sound.  The tempo is laced in nightmarish speed in places but isn’t afraid to pull back when needed, especially when other elements are introduced such as the clean vocals around the 2:55 mark, and the accompanying melodic passage that arrives afterwards.


The d-beat flag flies high on the groovy as fuck “Infernal Imperium,” but the tone and atmosphere is all black metal.  The vocals are high pitched shrieks, but they still have an inflection that allows for actual words to be formed–impressive and it makes their performance all the more urgent and vicious.  The drums are fantastic and they change the tone of the songs with ease, steering the elements across a variety of moods and tempos. The latter half of this song is so atmospheric and catchy too.  Hell of a song!


I have to talk about the title track, too.  The fade in comes in like a wave that builds and builds before cresting on the shores, exploding into blackened fury.  Before the minute mark is even reached, this song is firing on all cylinders.  It’s violent and hectic yet atmospheric enough to feel like it's a world unto itself.  That’s what this song represents:  every song having an identity of its own but making sense for the album as a whole.  The middle passage of the song is grinding, with low, groovy riffs and even some death growls.  The sudden uptick in tempo around the 4:10 mark is deadly, proving d-beat/crust has a place besides black metal.  


The final song, “Beyond the Veils of Maya,” is one of my favorites.  It has killer lead guitar that offers the right amount of energy with melody.  The rhythm prowess of the band is in full swing, barreling ahead until the beautiful clean passage around the 2:11 mark. Layered, possessed vocals spawn in the mid-passage just before the song hits its stride with a melodic gallop.  


Temple ov Ahriman’s “Heretics of Consensual Reality,” is an album that seemingly came out of nowhere and it has really surprised me with just how good it is.  For those wanting more out of their black metal but also want that underground evil feel, this album needs to be on your radar.  


Rating: Excellent











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